Center Stage Latinas on Broadway

Half a century after West Side Story brought the passion of urban Latino culture to the fore of American culture, a new generation of Latina actors is taking center stage. Building on the heritage of such trailblazing artists as Chita Rivera, who played Anita in West Side Story on Broadway, and Rita Moreno, who won the part in the Hollywood version, these talented Latinas are acting, singing and dancing their way to fame. The ageless Rivera, who is still on Broadway in the autobiographical Chita Rivera: The Dancer’s Life, and Moreno, who made her Broadway debut at the age of 13, opened the eyes of producers, critics and fans to the wealth of talent in the Latino community. Today, a new crop of Latina talent is shouting, “Hey, look at us!” And they’re not only getting attention, they’re scoring prized roles and earning critical raves.

Rita Moreno

Chita Rivera

Sara Ramirez

Among these rising Latina stars are Sara Ramirez, Roxane Carrasco, Natalie Toro and Ivette Sosa. These four multitalented Latinas have taken different paths to get to Broadway but have one thing in common: An unflinching belief in themselves. Their stories reveal both the pitfalls and rewards of this fiercely competitive artistic arena. And they shed light on what Latinas bring to the stage that makes them leading candidates to become tomorrow’s hottest Broadway stars.

Sara Ramirez, a native of Mazatlan, Mexico, who grew up in San Diego, took the most direct route to Broadway, going straight from graduation ceremonies at Juilliard, where she majored in drama, to a role in Paul Simon’s The Capeman, with barely time in between to catch her breath. Along the way, she’s had roles in The Gershwins’ Fascinating Rhythm, The Vagina Monologues and Monty Python’s Spamalot, for which she won a Tony Award for her portrayal of The Lady of the Lake. Between on- and off-Broadway roles, Ramirez has racked up TV credits on such shows as Law & Order and As The World Turns and worked in various films, including Spiderman and You’ve Got Mail. She recently left Broadway for Hollywood, where’s she’s been cast as a regular in the highly rated ABC series Grey’s Anatomy.

Roxane Carrasco, whose website reveals that her favorite cookie is the Snickerdoodle, wanted to grow up to become an Olympic Gold Medal–winning figure skater but had a change of plans when she saw the Broadway production of A Chorus Line. A native of Los Angeles, she earned a degree in theater from UC San Diego and then launched a career that has taken her on national tours of West Side Story, playing Anita, and A Chorus Line. After a stint teaching theater and flamenco dancing in the United States, Germany and Spain, Carrasco made her Broadway debut at the historic Shubert Theater as Velda in Chicago. She left the musical last year to sign on to be dance captain of The Mambo Kings, which, sadly, crashed before making it to The Great White Way. In a manner befitting a sentimental Broadway script, Carrasco recently married her high-school sweetheart after an 18-year separation.

Sara Ramirez spectacular performance as The Lady of the Lake

Roxane Carrasco starring in Chicago

Bronx native Natalie Toro was just 5 years old when she took to the stage of the storied Apollo Theater, wowing an “Armature Night“ audience as she sang and fronted a five-piece band. She nurtured her interest in music, studying at the Manhattan School of Music and the Boston Conservatory of Music before making her stage debut as Lucinda Teresa Del Fuego in the world premiere of Sheboppin’ at Boston’s Wilbur Theatre. She played Rosalia in a Japanese tour of West Side Story before she got her major break as Eponine in the Broadway production of Les Miserables. Since then, Toro has toured with national productions of Cats, Fame and, in the title role, Evita. She also found time to recorded Bailando en la Luz—Latin versions of Broadway hits, accompanied by an “A” list of New York’s top Latin jazz and salsa musicians.

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By Mark Holston


[This article has been edited for www.latinastyle.com. For the full version, check out the January/February issue of LATINA Style.] 

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